Its a rhetorical position: it may be intellectually or philosophically pleasing, but its practically unhelpful.Īs an exhibition, Guns in the Hands of Artists approached this tension in a thoughtful manner infrequently evidenced in today's rancorous political debate. Being universally anti-gun seems deaf to common sense. Most practically, barring a constitutional amendment, there is simply no chance at banning guns.

While gun violence is an omnipresent threat, guns are a part of American society and we all know they aren't going anywhere, The overwhelming majority of guns are owned bylaw-abiding citizens who never use them outside the narrowly prescribed bound of the law. I am enormously excited to share that Walter Isaacson will be writing the introduction. It will pair photographs of the artwork with a collection of essays on guns and gun violence by nationally known thought leaders: a moderate, sensible conversation on guns and gun violence in our society. So in order to reach more people, I am launching the exhibit as a book. The exhibition will now begin to travel the country starting at The Aspen Institute this summer for The Aspen Ideas Festival and The Aspen Action Forum.īut even on a national tour, the exhibit will not be seen by enough people. Since the opening in October, over 10,000 people have visited the exhibition and experienced these impactful and provocative works of art. In late 2012, I started working with the New Orleans Police Department and the City of New Orleans to acquire 186 firearms to be decommissioned and distributed to over thirty nationally renowned artists. Guns in the Hands of Artists brings the conversation into the realm of art art as means for dialogue. By taking guns off the streets and giving them to artists, Guns in the Hands of Artists fosters an important and rare type of conversation about guns in our society: one absent the partisan vitriol that seems to inevitably surround the debate. From the kid on the street corner killed by a stray bullet, to mass murders at Columbine and Sandy Hook, gun violence continues to wreak havoc across America.Įighteen years after the first exhibition, I felt compelled to revisit the exhibition and reopen the dialogue that was started many years ago. Gun violence remains an unfortunate fixture in our society. Each artist used the guns in their medium to express a thought, make a statement, open a discussionand stimulate thinking about guns and gun violence in our culture. Painters, glass artists, sculptors, photographers, poets, and other artists turned the decommissioned firearms into art. Decommissioned guns (taken off the streets via a goods-for-guns swap) were given to over 60 artists to use as raw materials in their art.

In response to this crisis, artist Brian Borrello and I mounted the first Guns in the Hands of Artists exhibition. In 1996, it reached 350: the highest in the citys history and the highest in the nation. In the 1990s, New Orleans murder rate exploded. Art is the mirror of life, but it must be more: it must be an agent of change, a vehicle for dialogue and the betterment of the world. Guns are masculine, brawny, populist by contrast, art is thought to be feminine, intellectual, elitist (both incorrectly and unfortunately). Guns and art are not frequently mentioned alongside one another.

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